Authentic Movement Practice Class
Authentic Movement Practice, Tuesdays 10-12pm. NO CLASS 1/21
No prior experience with Authentic Movement or dance necessary. Class size limited, please pre-register HERE. Katie Workum and when we are lucky Darrin Wright will facilitate.
First class Tuesday, March 5th.
Signup sheet HERE Walk-ins are welcome, but there is a participant cap, pre-registration highly recommended. $15
Authentic Movement is an expressive improvisational movement practice that allows a group of participants a type of free association of the body. It’s a seemingly simple form of self-directed movement, usually done with eyes closed and attention directed inward, in the presence of at least one witness. Movers explore spontaneous gestures, movements, and stillness, following inner impulses in the present moment.
Brendan Drake: Ghost Porn
Two week run!
February 5th-12th, 2025
first week: four shows, wed through sat
second week: two shows, fri+sat
Wednesdays and Thursdays at 7:30
Fridays and Saturdays at 8:00
TICKETS
Performed by Matthew Bovee, Brendan Drake, Ollie Iturrieta, Nikkie Samreth, Marcus Serjeant, and Nattie Trogdon
Video Installation by Ian Lewandowski
Technical Direction by Darrin Wright
Props and Headpieces by Brendan Drake
A Disco Ball descends from the sky as two F-words with a pension for trauma bonding and poppers welcome you to their cubbyhole of ghoulish apparitions, smut, and divine brutishness. Inspired by horror cinema and cruising culture, Ghost Porn incorporates dance, magical realism, and sound manipulation to complicate notions of sexual curiosity, agency, and casual hedonism. An inverted realm is conjured, where form and meaning give way to a visceral palate of noise, rhythm, and ecstatic dancing that wavers between gogo dancing and an exorcism. Ghost Porn is a love letter to the dark (room); an exploration of desire at its most translucent and opaque. This evening-length work features video design by Ian Lewandowski, and original text, sound score, and choreography by Drake in collaboration with performers Matthew Bovee, Ollie Iturrieta, Nikkie Samreth, Marcus Serjeant, and Nattie Trogdon.
Show contains nudity, sexual content and loud noise, 18 years or older to attend.
Brendan Drake (all pronouns) is an interdisciplinary artist, performer, and currently, the Visiting Assistant Professor of Dance at The Corcoran School of Arts and Design at George Washington University. Their work uses disparate movement forms, erotic imagery, text, and sound manipulation to interrogate issues surrounding gender, vanity, and queer power dynamics. Brendan was a 2017-2018 Fresh Tracks Artist at New York Live Arts and has been awarded grants and residencies through the Brooklyn Arts Fund, Foundation for Contemporary Arts, CUNY Dance Initiative, Brooklyn Studios for Dance, Monira Foundation, The Tank, and Chez Bushwick. Their recent work has been presented at Danspace Project (Draftwork), Movement Research, The Brick, La MaMa, PAGEANT, Joes Pub, The Wild Project, AUNTS, Brooklyn Studios for Dance, JrHigh (Los Angeles, CA), Fowler Museum (Los Angeles, CA) and The Dance Complex (Boston, MA). In addition to their work for the stage, Brendan choreographed the fall 2014 “Equality = Love'' campaign for Adidas Originals/Pharrell Williams. They were the movement coordinator for editorial shoots with Vogue, Porter, V, and Elle Magazines (photographers: Liz Collins, Ryan McGinley, Collier Schorr). From 2022-2023, they were the director of UCLA’s “Sex Squad,” working collaboratively with undergraduates and LA County High School students to devise performances centering on issues of sexual health, consent, identity, and pleasure. In May 2023, they presented their graduate research on tracking queer sociality in contemporary dance and performance at the UCLA National Queer Graduate Conference. They have guest taught at UCLA, Columbia University, the University of Massachusetts, Muhlenberg College, DeSales University, Ball State University, Skewl, Peridance, SCDT, Loculus, and the New York Film Academy. As a dancer and performer, They currently work with Nattie + Hollis, and Kayla Hamilton/Circle O. Brendan holds a BFA in Dance from the University of Massachusetts at Amherst and an MFA in Choreographic Inquiry from UCLA.
Workshop with Julie Mayo: Solo Signal
Our time together will be for nurturing our own “voices” and following our own signals, in a group, alongside one another. We’ll “begin anywhere” with a collective warm-up. Anyone who wants to offer a way to begin can share an activity: moving, drawing, sounding, reading, calling your aunt (I did that once to begin), laying on the floor (who HAS NOT done that?), whatever we feel like on this day.
I’ll guide us through some perceptual and tactile practices that support leaning into personal peculiarities, itches, imaginations, and impressions, and we’ll work on a solo practice (score, choreography, scenario) as we share the room together. We’ll perform the practices we generate.
**Recognizing our unambiguous connections to one another lays the groundwork for our adventurousness, our taking risk, in our solo practices. We’ll keep an eye towards generosity as performers and make room for discussing this, and whatever else we want.
Wednesay, Feb. 19
10-2
$40
to sign up, or with questions:
julie@juliemayo.com
Venmo: @Julie-Mayo-6
Julie Mayo is a New York-based choreographer who makes dances that foreground body level communication that is simultaneously intelligible and inexplicable and hinges on the inseparability of the comic and the tragic, the ordinary and the remarkable, and the individual and the collective. For Julie, choreography is a medium disposed toward felt experience, embodied paradox, and getting in to get out to get down. It is an opportunity for performer and audience to consider ourselves, intimately, unnameable. Her work has been presented in New York at JACK, Gibney Dance, The Chocolate Factory Theater, The Kitchen (Dance and Process), Movement Research at the Judson Church, Dixon Place, Center for Performance Research, Danspace (Draftwork), Brooklyn Studios for Dance, Target Margin Theater, New York Live Arts (Fresh Tracks), and The Elizabeth Harris Gallery alongside the work of visual artist James Biederman. Nationally, her work has been presented at Highways Performance Space (Los Angeles), NOHspace and Dance Mission (San Francisco), Links Hall (Chicago), Columbus Dance Theater (Columbus, OH), fidgetspace (Philadelphia), and in several venues in Richmond, Virginia, where she’s from originally. Recently she performed in Deborah Hay's work as part of the Trio Commissioning Project and was a mentor through the NYS Choreographer's Initiative.
Julie’s work has been supported in NYC by a 2023 LiftOff Residency, 2020-2021 Gibney DiP (Dance in Process) artist residency, as well as artist residencies at Movement Research (2017-2019), Snug Harbor’s PASS Program (2019) and the Center for Performance Research (2018). She is a recipient of a Foundation for Contemporary Arts Emergency Grant as well as a grant from Virginia Commission for the Arts. She has been awarded residencies at UCross Foundation, Djerassi, Yaddo, Mount Tremper Arts, Snug Harbor, and Virginia Center for Creative Arts.
Julie teaches at Movement Research (NYC), from time to time at Kestrels, as well as her own and other platforms. She has been a guest choreographer at university and community-focused programs, and has been commissioned by independent choreographer / performers to mentor their work.
Workshop with Molly Poerstel: All of Us
Come join Kestrels for All of us, a creative workshop for freelance dancers facilitated by Molly Poerstel to celebrate the magick of our craft through the fulcrum of the contemporary dancer as somatic archivist. Through experimentation, improvisation, and writing, we will explore the inner topography of our past memories, lineages, and rebellions through experimentation and somatic intellect, and stay watchful for how these threads show up in our dancing.
All of us will be broken up into two sections: the first two hours will compose of improvisation of the voice and body, as well as somatic writing while the last two hours will be centered around an individual creative practice. What develops could be a spell, a prayer, a manifesto, a poem or a dance which honors the heft, wisdom, and trajectories which swirl within our bodies.
All of us aims to create a bodily incantation to cull our somatic recollections while also dreaming up new sustainable paradigms for our bodies to interact with emerging choreographic idioms.
Cost: $50
To sign up email: Mollypoerstel@gmail.com
Venmo: @Molly-Poerstel-1
Molly Poerstel is a dance artist whose career spans over twenty years. A powerful performer, she has gained recognition over the years for her work with Mark Jarecke, David Dorfman Dance Company, Alex Escalante, Susan Rethorst, Larissa Valez-Jackson, Hilary Clark, Ivy Baldwin, Juliana F. May, Roseanne Spradlin, and Jeanine Durning. Poerstel was nominated for a New York Dance and Performance “Bessie” Award for Sustained Achievement in Dance Performance in 2019.
Poerstel’s choreographic works have been presented in New York City by New York Live Arts Fresh Tracks (2012), Movement Research Spring Festival (2013), Brooklyn Arts Exchange Upstart Festival (2014), Fridays at Noon 92Y (2014), Danspace Project’s Food for Thought (2014) curated by Ben Kimitch, Gibney Dance Center’s Double Plus, curated by Donna Uchizono (2014), and Making Space (2016). Her current body of work has been a trilogy of even length dances which consider the potency of somatic memory, writing, and interconnection. These works include: I am Also – Monte (2021) was commissioned by Abrons Art Center and features Richmond Virginia native and acclaimed house dancer Monte Jones, and Flesh House (2023) a trio for herself, Monte Jones, and Eleanor Smith which premiered at Kestrels in Brooklyn, Her next work, Galactic Ash (working title) is the third in this series and considers the in-between spaces of our past and future identities through the complicated binds of grief, ancestry, and lineage. Poerstel was a 2015 Movement Research Artist-in-Residence and a 2018 BAX Parent Space Grant Recipient. She has taught at The Eugene Lang College of Liberal Arts, The New School, SUNY Purchase Dance Conservatory, Mason Gross School of the Arts, Rutgers University, Dalton School, and the Nanyang School of the Fine Arts in Singapore. Poerstel graduated as a Distinguished Honors Student Fellow at the University of Wisconsin Milwaukee where she completed her MFA in 2024.
photo credits: Flesh House, photo by Maria Baranova-Suzuki
Performers: Monte Jones, Eleanor Smith, Molly Poerstel
Anna Thérèse Witenberg: Heat
Heat by Anna Thérèse Witenberg
Original music by Jack Whitescarver
Performed by Josie Bettman, Rachel Gill, Anna Thérèse Witenberg and Jack Whitescarver
Styled by Dylan Keoni
Lights by Cameron Barnett
Stage Design by Lorenzo Bueno
Having first premiered in a sold out run in September at Pageant, Heat returns as a new adaptation for Kestrels.
Thursday, Friday and Saturday, December 5th, 6th and 7th at 8pm
Sunday, December 8th at 5 pm
TICKETS
"“Heat” is an electrifying dance performance..." PURPLE MAGAZINE
From Anna:
Heat is about the deep love and envy I have for the dancers I spend my life with in the studio. The obsession that always mixes with jealousy; a competition turned sensual and fluid. Studying each other's bodies closely; memorizing every groove of her foot, knowing exactly how she will strike her jump, how she will prep her turn, watching her for hours on end; staring, touching, feeling. Wishing to be her; wanting to be better than her. The deep intimacy that is knowing your dance partner's rhythms, instincts, smells. I've spent my whole life in a dance studio doing this and will continue to do so for the rest of my living days.
Two-day Technique Laboratory with Joanna Kotze
Two-day Technique Laboratory with Joanna Kotze
A chance for advanced dancers to go deeper into stretch and placement, phrase-work, making considerations, and performance practices
Saturday, November 23rd & Sunday, November 24th
10:30am--2:30pm both days
Sliding scale: $64-$100 for the two-day workshop.
This workshop is currently at capacity. Please fill out this FORM to join the waitlist. We'll email you if any spots open up. If you have any questions about the workshop or payment options, please email joanna.kotze@gmail.com
(*My strong preference is that you come for both days. If this is impossible for you, please email me at joanna.kotze@gmail.com to discuss.)
https://www.joannakotze.com/teaching
No Furniture: Suite For a Loft Theater by Lavinia Eloise Bruce
Featuring Time Wharp performing the album "Spiro World" live, as well as dancers Arzu Salman, Cullan Powers, Ella Dawn W-S, and Julia Antinozzi.
No Furniture originally premiered October 2023 in a loft apartment in South Street Seaport, yielding praise from peers and critics alike and inciting a joyful afterparty on its closing night. This year, choreographer Lavinia Eloise Bruce is adapting the work to fill the larger space of Kestrels. This process of adaptation entails a more rigorous & expansive approach to the movement material, an even deeper collaboration with Time Wharp (aka Kaye Loggins), and perhaps even the addition of a new section—stay tuned ;)
“No Furniture: Suite for a Loft Apartment,” by Lavinia Eloise Bruce. Formal and ferocious…deserves another run.” -Gia Kourlas, New York Times. And Hear it is!
Wednesday, Thursday and Friday: November 20th, 21st, and 22nd,
All shows at 8pm.
Come for a drink before the show and stay for one after! House opens 30 minutes before show-time.
Tickets
Amanda Hameline: PARTY DISH
PARTY DISH. Want to throw a party but short on time? Linguini with clam sauce is the dish for you! Amanda makes this Italian classic available for any weeknight celebration by falling back on canned clams and a good attitude. Not eating carbs anymore? Don't worry about it! The dish is very fragrant so you can just smell it. Wondering about the connection between tinned fish and 19th century military history? You've come to the right place! Just sit back and relax.
Party Dish is a solo performance that mourns, ridicules and celebrates the joys, necessity and pain of consumption. It's a rambling lecture given by an unstable dinner host. It's a party.
Choreographed, written and performed by Amanda Hameline
Projection Design by Jace Weyant
November 14th+15th, 7:30
$50 - Dinner and Reserved Seat
$25 - General Admission
$15 - Early Bird Discount
TICKETS
Beth Graczyk: Unstable States: Shell(ter) works-in-progress sharing
Unstable States: Shell(ter) works-in-progress sharing
Join us for an evening of in-process sharing of a new dance-theater work, featuring sculptures made from bio-based materials.
This is a slow, evolving process, built on shifting states—unstable and under continual experimentation. In this moment, Rachel Sigrid Freeburg, Beth Graczyk, and Leah Wilks navigate the dynamics of autonomy and togetherness in performance. They calibrate to states of heightened attention, engaging with bio-based materials in unusual phases of transformation. What does it mean to attempt to prolong the life of things on the verge of decay—pressing into matter and feeling its resistance? How does a visceral exchange with forgotten or discarded materials, like eggshells—a potent symbol of transformation—prompt reflection on origins and unfolding journeys, where body and material might converge and evoke their own cycles of disintegration and renewal?
Directed by Beth Graczyk
Sound by Aaron Gabriel
Performed by Rachel Sigrid Freeburg, Beth Graczyk & Leah Wilks
November 7th+8th at 8pm
$10
Tickets
Gwendolyn Knapp: Record Ephemera
Record Ephemera is an evening length choreographic premiere by Gwendolyn Knapp, made in collaboration with Angel Acuña, Tim Bendernagel, Miriam Gabriel, Amelia Heintzelman, Stevie Knauss (performers), and Lavinia Eloise Bruce (sound). This dance, developed over the course of a year and a half long process, enacts a live transcription from photographs, rehearsal notation, and video documentation. Record Ephemera attempts to ask: can you give time a body?
Choreographed by Gwendolyn Knapp in collaboration with the dancers
Performed by Angel Acuña, Tim Bendernagel, Miriam Gabriel, Amelia Heintzelman, and Stevie Knauss
Sound by Lavinia Eloise Bruce
Thursday October 31st through Sunday November 3rd, 2024.
Thursday through Saturday at 7:30, Sunday at 5pm
Come for a drink before the show and stay for one after! House opens 30 minutes before show-time.
TICKETS
Ariel Lembeck: TRYHARD
TRYHARD is a new evening-length work by Ariel Lembeck. It is a dance drenched in sound and light. It collages the body into images and makes space for obsession to come through. It is a practice in exposing a forbidden sense of self and allowing it to grow inside the room. It is about becoming and letting go and the endless search for who we are and what we want to be.
Choreographed and Performed by: Ariel Lembeck
Sound Design by: Angel Zinovieff
Lighting Design by: Cameron Barnett
Premiering Friday and Saturday October 18th + 19th at 7:30pm and Sunday October 20th at 5pm.
Come for a drink before the show and stay for one after! House opens 30 minutes before show-time.
www.ariellembeck.com IG @ariel_lembeck
Choreographic Nerve
Do what you want, but breathe. Weekend workshop led by Julie Mayo
August 17+18
11-4 (with time for heavy snacking)
(both days commitment required)
$80
Deadline to register is July 17
This weekend workshop is for dance and theater artists with (a little or a lot of) experience in choreographic and improvisational practices who want to experiment in an intimate group setting. How can we resist the known, the probable, and the practical and imbue our practicing and performing with our individual mysteries, intuitions and imaginations?
SIGN UP and MORE INFORMATION HERE
juliemayo.com
WOMEN IN MOTION present: SYMARA SARAI I want it to rain inside
Wednesday July 24th
7:30pm
From the artist: "I want it to rain inside" is an exploration of the complexities of black queer femininity and the magic of its vulnerability, with this solo I continue to investigate the nexus between the parallels of black queer imagination and anarchy. You will see the space transformed into a topia of my choosings, an invitation into a practice of authentic autonomy. I transform perceptions of failures into successes and invite present negotiations as a way to engage with infinite possibilities.
Collaborative Feminist Structures for Dance and Performance
Workshop led by Molly Lieber and Eleanor Smith
July 23-25, Monday &Tuesday , 10am-1pm
Daily drop-in is great. Feel free to show up at the door without reservation.
$20 or $35 for both. Pay what is good for you. NOTAFLOF.
This collaborative feminist workshop series explores improvisation practices of non-hierarchy and reciprocal recognition. It is open to all, no matter your experience with movement, dance, or performance. Each person will have agency to choose what they do with their body in each class. Come for all of the classes or just one, this workshop is designed to be emergent and exploratory. No one turned away for lack of funds.
Email lieber.molly@gmail.com or eleanorangelyn@gmail.com to reserve a spot
Photograph: Maria Baranova, Dancers: Oren Barnoy, Paul Hamilton, Molly Lieber, Eleanor Smith, Work: Durational Duet by Molly Lieber and Eleanor Smith
Full Moon Breathwork with Jo Warren
July 21st is a Full Moon in Capricorn - it's also known as the "Buck Moon" and is considered a time of growth, renewal and regeneration, as bucks shed their antlers each year and start the process of growing new ones.
In-person Breathwork adds a whole new layer of collective experience and can be incredibly potent and powerful for moving through stuck patterns that feel hard to navigate on your own. We can feed off the energy of the group to move things we can't always move alone! Not to mention Kestrels is a beautiful space and feels like a perfect container to hold this work.
Come breathe, shed, grieve, pray, rage, fortify, reignite, integrate, dream, hope, thaw, share in community and find new access points to love, to resistance and to action.
Full details:
July 21st 6pm-8pm
- This session will take place in-person at Kestrels in Gowanus. Full address will be sent once payment is received
- Sliding scale $30-60*
*no one will be turned away for lack of funds - please reach out if cost is prohibitive
* free for Palestinian/Black/Indigenous folks and anyone who identifies as a QTBIPOC
*You can use this helpful tool to determine where you land on the scale. -
- I ask that participants take a rapid test the day of the workshop in order to keep each other safe!
- More information will be provided to those who register
No experience necessary - all are welcome!!
Come deepen a pre-existing practice or learn something new!!
Spread the word to those who may be interested!!
If you'd like to sign up, you can venmo me at Joanna-Warren-1 or use paypal with the email jowar123@gmail.com. Please don't hesitate to reach out with any questions, feedback or clarification :)
State of Making
Choreographic Workshop led by Juliana May
July 15-19
Monday-Friday
10am-3pm
$200
please email jfmdances@gmail.com
In this week intensive the conversation is the score and each person is empowered to let the flow of ideas and problems work themselves through the dancing itself. I tell people to work faster, keep reaching, and keep working to stay as close as possible. Dancing is the frame and symbol of the process and we keep doing it to stay as involved as possible. Struggle is a vibrant part of any process in the willful strangling of ideas and structures and the thrust of interpersonal shit....but there are also just fast momentary choices and all of a sudden you are on the other end and you can always cut it. We are learning to stand up more firmly in the choice and just as easily let it go. Perfect is not just the enemy of the good but it is also the enemy of flow and failure and embarrassment. www.maydance.org
Studio Showing: New Works Amelia Heintzelman and Vita Taurke
Saturday June 29th
8:00pm
Amelia Heintzelman with Dorothy Carlos
Dramaturgical support by Sophia Parker
Language development by Tess Michaelson
broken symmetries and nervy, expansive landscapes
&
Vita Taurke
Performed by Angelina Hoffman and Ella W-S
Music by Tommy Martinez
a ghostly fairytale of a dance
PEPTALK: so long so long
PEPTALK is a dance project created by Marin Day and Maddie Hopfield. They performed an excerpt of their latest work so long, so long at The Brick as part of ?!: New Works, and are bringing the evening-length version to Kestrels June 6-9! In so long, so long Marin and Maddie use movement and voice to create functionless machines, craft physical love letters, and chase their wandering minds as they remember a decade of disjointed fantasies and failures.
Thursday-Sunday June 5-9th, 7:30pm, except Sunday 5PM matinee
Michelle Boulé Workshop: ONE dance
MICHELLE BOULÉ is an award-winning Dance Artist, Healer, and Transformational Coach who uses depth, intuitive insights, and passion to guide her students towards their unique mastery. The work begins with self-Awareness to align with one’s own Inner Authority, so that “life” movement (aka creative expression, decision-making, and leadership) comes with confidence and ease.
Michelle was based in NYC for 21 years, where she danced primarily with Miguel Gutierrez, John Jasperse, Deborah Hay, and John Scott, and where her work was presented by Issue Project Room, Danspace, River to River, The Chocolate Factory, The Kitchen, Movement Research at Judson Church, and Met Breuer, amongst others.
She brings the same creativity, embodiment, passionate devotion, and meticulous attention to mindset that created her international dance career, to help usher her students through profound transformation. With nearly 30 years of practice in somatic therapies, energy medicine, mindset psychology, and spirituality, the heart of her work is LOVE.
Now and Then: Mariana and Katie
Mariana and Katie share an evening of reimagined solos.
AND WE ARE: having met in 2013-ish as Chez Bushwick AIRS. Little did we know then that we were simultaneously beginning new ways to make work and honor the dances that lived inside our bodies. And now we are here, turned around so much that we found each other 10 years down the road. We have deepened and returned to our dances in ways that fit who we are now. We have our stories to tell and these bodies to move. AND THIS IS: Mariana reinterprets a dance that she made a decade ago. She upholds the improvisatory and lyrical qualities of the work, two essential elements of her research since. Within her current—older yet newer—body, she’s chasing after the remnants of something that’s aged well over time. MEANWHILE: Katie re-works a solo made in 2022 newly titled We Must Take the Canoe. This piece marked a return to set work after a 10 year departure into Authentic Movement and improvisational forms. She wades deep into historical fantastical scenarios, American myths of pioneering and conquest, personal and imagined anecdotes to construct a self.
Saturday and Sunday May 18+19, 5PM
$20 suggested donation.
Flesh House
FLESH HOUSE A new dance PREMIERE by Molly Poerstel
Tuesday-Saturday, February 20th-24th 2024. 7:30pm
Three veteran dance performers Monte Jones, Molly Poerstel, and Eleanor Smith inhabit the rooms of Kestrels by exposing personal mythologies, old truths, and interlapping experiences. TICKETS
Monster Mourning
Dance Theater by Weena Pauly and Katie Workum, with live music by Annie Hart
Weena and Katie traverse the long tethers of time through shaken-up fantasy worlds, characters built from their lacking and over-ing, and through the filtered groundwater of their kinship of the last 25 years. They concoct forgotten tales of vaguely euro-lineages and fables into a disjointed present. They navigate connection steeped in inherited competitions and codes of femaleness, while time traveling their own ages and bodies through their love language of hair-braiding and awkward clog dancing. Monster Mourning includes live music by the multi talented musician and composer Annie Hart.
APAP show Sunday January 14th, 2024 at 3:00 with reception immediately following
AfterPAP shows Friday and Saturday Jan 19th+20th, 2024 7:30pm
Nicole Mannarino
10 Seconds til Midnight
Artistic Direction, Choreography, and Performance by: Nicole Mannarino
Choreography and Performance By: Ariel Lembeck, Belinda Ju, Laura Witsken, Reché Nelson, Samira Mendoza, & Tanasha G
Juliana May is teaching class
Juliana May will be teaching class Mondays and Wednesdays Sept 18-Oct 4, 2023. 10-12pm
Choreographic Idiom Drop in Class Series
reserve a spot by emailing jfmdances@gmail.com
Maya Lee-Parritz
The American Sun
Thursday-Saturday June 8th-10th and Friday+Saturday 16th+17th, 2023
This work features Tim Bendernagel, Cayleen Del Rosario, Rachel Gill, Gwendolyn Knapp, Patty Lin, Owen Prum, and Anna Therese Witenberg, with additional music by Russell O'Rourke and photographic set by Sadaf Azadehfar.
Please pay at the level you are able--all proceeds go directly to the artists. Nobody will be turned away for lack of funds; if you need a further reduced or free ticket, please let me know (no questions asked). TICKETS
Monster Mourning
Weena Pauly and Katie Workum present their dance theater duet Monster Mourning.
Music and live instrumentation by Annie Hart. Set design by Darrin Wright.
Thursday-Saturday May 18-20th
Wednesday+Thursday Mat 24+25th